Christine-Ann Richards, Guided Tour to China
20 May 2003
Press release: Christine-Ann Richards, Guided Tour to China. Celebrate: 25th Anniversary of 1st Craft Potters Association Trip to China & 1,000 years of Porcelain Production in Jingdezhen Spring 2003
20 May - 14 June 2003
Join us in celebrating the 25th anniversary of the Craft Potters Association first visit to China in 1978.
The visit will include:
Workshops, Participation, Demonstrations and Visits to Contemporary potters, museums and kiln sites
Travelling overland through central China to:
Jingdezhen (porcelain), Xian (northern celadons & the terracotta army),
The centres of Jun and Cizhou ware production
Beijing, The Forbidden City and the Great Wall
Jingdezhen, the home of porcelain, is itself celebrating more than
1,000 years of porcelain production. Known throughout the world not
only for its blue and white wares but also for the beautiful ch'ing-pai
(ying-ching) porcelains of the Song Dynasty.
Although I have visited Jingdezhen several times since then, most of my
trips have had a greater emphasis on archaeology as little appeared to
be happening on the contemporary front. I was very excited on my last
visit there four years ago to see an exhibition of students from the
local ceramic art college and hear about the beginnings of the
Jingdezhen Sanbao Ceramic Art Institute which is now host, not only to
local students, but also international potters as well.
It is there that we shall spend our first week visiting studios,
participating in demonstrations and workshops and sharing in the life
of the local potters. One of the high points of an earlier visit of
mine, and scheduled for this trip, was a visit to the ancient town of
Yao Li, walking past the rice fields and climbing up into the hills to
visit the old clay mine of Gaoling (kaolin) Mountain.
An early departure from Jingdezhen, half-way through our journey, will
take us westwards through ever changing scenery towards Jiujiang where
we cross Poyang Hu, one of the largest inland lakes in China, and where
it flows into the Chang Jiang (Yangtse River) which we then follow all
the way to Wuhan. An overnight train will take us to Xian, home of the
terracotta warriors and visits to the Yaozhou kilns and museum, where
the northern celadons also of the Song/Jin/Yuan Dynasties, were
produced. A visit to Chenlu in 1985, was the first by a foreign group
and it is still extremely difficult to visit. At that time they were
producing some celadons but mainly a blue and white folk decorated ware
on a under-glaze white slip.
Travelling eastwards along the Huang He (Yellow River) valley
emphasises the change in scenery from the lush rice fields and green
vegetation of the south to the sandy loess plateau which stretches
north from Xian towards Mongolia. Windswept brush and trees somehow
manage to cling to the soil. Terraces are chiselled out of the soil for
cultivation and many houses are cut out of the surrounding loess, which
provide for coolness and shade in the summer and a warm, sheltered home
in winter.
Both Wuhan and Zhengzhou are maritime crossroads, being situated on the
two major rivers, which from earliest times were the main method of
transportation from the interior of China to its coastal regions. The
Grand Canal linked these with other subsidiary canals and rivers as at
Jingdezhen. Zhengzhou today is the crossroads for the rail network
linking the northern capital, Beijing with the southern capital,
Guangzhou (Canton).
Here three and half thousand years ago was a capital of the Shang
Dynasty. A walled city with some houses cut out, as they still are
today, from the loess. Excavation from settlements outside the walled
area have shown that pottery, metalwork, textiles as well as wine were
produced. The Provincial Museum has an important bronze and ceramic
collection, including if I remember rightly the most stunning
collection of Han Dynasty houses.
South-west of Zhengzhou lies the village of Sheng Ho, where chun wares
are still produced today. Chun wares were produced over a wide area and
are closely linked to the Northern Celadon and the Ru kilns.
On my first visit to Handan with Rose Kerr, from the Victoria and
Albert Museum, we discovered that some of the early kilns lie close by
those still in production today. The various styles of Cizhou wares
produced today still illustrate the techniques used by the early
potters including scraffiato, painted, painted and incised, rouletted
and cut- glazed type as well as the polychrome lead glazed wares.
A morning train draws us towards the end of our journey to Beijing. In
visiting the Forbidden City do not miss the side halls with their
collection of ceramics and paintings. The Great Wall, the antique
market full of pots and paintings both contemporary and old - sometimes
difficult to distinguish, the Beijing Opera and Beijing Duck Farewell
Party will bring to an end - perhaps new beginnings - an incredible
journey of shared experiences and knowledge exchanged.
Facts:
DATE: 20 May - 14 June 2003
COST: Approx. £2,800
LAND PRICE: (not including international flights) £2,200
Note: A few under-graduated scholarships of US$1,000 (Approx.£700) are available.
Contacts:
See Christine-Ann Richards contact details on this site. Click Here
email: mail@christineannrichards.co.uk
Web-site: www.christineannrichards.co.uk/china/jingdezhen (for more information and booking)
Please say that you saw the information on Studiopottery.co.uk website, when asking for more information.




