Philip N WilksImage GalleryItems for Sale
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2010. -
2010 -
2011. This bowl is inspired by a winter photograph that I took of a wire fenced field with dried and seeded grasses. The holes in the outer bowl represent the seed pods on the grasses. -
2010 (November) Paired, through colouring of the crackle glaze, bowl and lidded container (shows the translucent effect when they are lit with a night light.) -
2013. New soda fired bowl -
2010. -
2010 -
2011. Coral bowl -
2013. New soda fired bowl -
2010 -
2010 (November) Paired, through colouring of the crackle glaze, bowl and lidded container -
2011. I call this my 'ocean pot' as it was inspired by a drawing of a coral that I did whilst visiting the zoology museum at Cambridge University and the glaze used, which I created, is called 'ocean blue'. It is made using 'Southern Ice Porcelain', the rim is impressed with shells that I collected and using acrylic resist I created a deep relief surface decoration which I then filled with glaze. -
2010 -
2010 -
2010 -
Ceramics - New Collection: Undone
These handmade pieces are created by employing different techniques to work, stress and form the clay. I have used Porcelain White Stoneware clay and three of my own glazes; the glaze firing is to 1270° centigrade.
Each one is unique – it cannot be reproduced. When I open the kiln I never know what I am going to find.
Serendipity.
Title: Fractured: Rim diameter - 400mm, Height - 150mm. (includes postage within the UK) -
2013. New soda fired bowl -
2013. New soda fired kiln ready for action, built with help from Jack Doherty -
2011. This bowl is inspired by a winter photograph that I took of a wire fenced field with dried and seeded grasses. The holes in the outer bowl represent the seed pods on the grasses. -
2010. -
2013. New soda fired kiln in action, built with help from Jack Doherty -
2011. Coral Bowl (top) -
2010 -
2011. Coral Bowl (base) -
2010. -
2010 -
2013. New soda fired bowl -
2010. -
Ceramics - New Collection: Undone
These handmade pieces are created by employing different techniques to work, stress and form the clay. I have used Porcelain White Stoneware clay and three of my own glazes; the glaze firing is to 1270° centigrade.
Each one is unique – it cannot be reproduced. When I open the kiln I never know what I am going to find.
Serendipity.
Title: Spiral:
Rim diameter – 270mm. Height – 150mm. (includes postage within the UK) -
2010 -
2011. This bowl is inspired by a winter photograph that I took of a wire fenced field with dried and seeded grasses. The holes in the outer bowl represent the seed pods on the grasses. -
2010. -
2010 -
2010 -
2011. 'Coral Pot' The creation of this bowl was inspired by a drawing of a coral that I did whilst visiting the zoology museum at Cambridge University and the glazes used, which I created, are called 'ocean blue' and 'matt crackle,. It is made using 'Porcelain White Stoneware' and using acrylic resist I created a deep relief surface decoration which I then filled with glaze. The bowl is fired to 1270 centigrade in an electric kiln. The rim diameter is 240mm and the rim height is 95mm. Cost includes Post and Packing (UK only) -
2010
Contact Details
Studio: 7 Park Walk, Brigstock, Kettering , Northamptonshire, England, NN14 3HH. View in Google MapsTelephone: +44 (0)1536 373428
Email:
Web-site: www.philipwilksceramics.co.uk
Availability: Visits only by appointment. Please phone or contact through email.
Joined on: 2010-02-03
Last Updated: 2014-05-15
Artists Statement
Artists Statement
Form, Function and Craft are equally important to me and whilst I strive to create finely made pieces that are pleasing both visually and to hold, they are also functional.
Harmony and Purity of form are central to my current work in porcelain, inspired by natural forms, as well as the attraction and challenge of mastering the skills necessary to achieve such simple looking pieces.
Harmony and Purity of form are central to my current work in porcelain, inspired by natural forms, as well as the attraction and challenge of mastering the skills necessary to achieve such simple looking pieces.
The inspiration for my slab pots is derived from the study of natural rock forms and architecture, which I am developing within the basic form of a geometric vessel where the juxtaposition of line, shape and form are explored.
Current work and Availability
Current work and Availability
Porcelain and Stoneware
Work available from:
Primavera, 10 King’s Parade, Cambridge CB2 1SJ
The Craft Centre and Design Gallery, City Art Gallery, The Headrow, Leeds, LS1 3AB Tel: +44 (0)113 247 8241
Arts at the Old Fire Station Limited, 40 George Street, Oxford, OX1 2AQ Tel. 01865 263980
Technical Information
Technical Information
My Porcelain and Stoneware is fired in an electric kiln.
My porcelain work is created solely by hand. Each piece is thrown to create the inside form, left to dry and then turned to shape the outside, fired in the kiln then glazed using my own recipes and re-fired. Some are decorated with platinum and gold lustres, which is applied by hand and fired to fix it. Finally, the crazing is stained.
My slab-pots are constructed and decorated solely by hand, using black slip, glaze and gold lustre.
Career Background
Career Background
I was introduced to ceramics at Batley College of Art and Design where I studied on the Foundation course between the years 1973 – 75. From there I specialised in ceramics on the B. A. Hons Three Dimensional Design course at Loughborough college of Art and Design, 1975 – 78, graduating with an Upper Second.
I moved to Brighton in 1979 to qualify as a teacher and taught in the area for some ten years, married and had two sons. I now live in Northamptonshire with my family.
When I graduated from Loughborough college of Art and Design I exhibited/sold my work at Batley Art Gallery in a three-person show. Whilst in Sussex I produced individual stoneware slab form ceramic pieces and during my last year there I exhibited/sold work in the Hugo Barclay Designer Connections Gallery in Brighton.
Having given my time to a career in teaching, raising a family and building our home, I have now returned to producing individual pieces of pottery. My current work is in porcelain, which is hand thrown and in contrast I also make stoneware slab pots.
Memberships:
Crafts Council, National Register of Makers
Exhibition History
Exhibition History
Gallery: Batley College of Art &Design
Hugo Barclay: Designer Connections: Brighton
Primavera: Cambridge
The Craft Centre and Design Gallery
City Art Gallery: Leeds
Arts at the Old Fire Station Limited: Oxford
Work Styles
Work Styles
Stoneware
Porcelain
Handbuilt
Soda
Vases & Bowls
Kitchen & Tableware
Porcelain
Handbuilt
Soda
Vases & Bowls
Kitchen & Tableware